Overcast, even, dispersed gray light.  Some feeling like being somewhere else completely.  I don’t know where though.  A group of people walk by with clear plastic ponchos over their clothes.  They look like a demented expedition of mechanical gnomes.  A hired storage container sits on the horse path across from the studio on the other side of the iron fence.  It starts to drizzle.  I clamp the beach umbrella to the milk crate and open it up.  Shelter.  I’m dressed in layers.  I imagine what is inside the storage container.  What is somebody storing here?  I don’t care.  I think about how to paint it and the idea of storing information, the impossible task that I want a painting to do, to catch and to store everything.  Yes I am expecting everything.  Can it serve?  Can it be in service of an idea and nothing else?  Can it hold both relationship and correspondence?  Keep a place between body and language?  Become a social surface?  This is the tension.  This is the model.  

Overcast, even, dispersed gray light.  Some feeling like being somewhere else completely.  I don’t know where though.  A group of people walk by with clear plastic ponchos over their clothes.  They look like a demented expedition of mechanical gnomes.  A hired storage container sits on the horse path across from the studio on the other side of the iron fence.  It starts to drizzle.  I clamp the beach umbrella to the milk crate and open it up.  Shelter.  I’m dressed in layers.  I imagine what is inside the storage container.  What is somebody storing here?  I don’t care.  I think about how to paint it and the idea of storing information, the impossible task that I want a painting to do, to catch and to store everything.  Yes I am expecting everything.  Can it serve?  Can it be in service of an idea and nothing else?  Can it hold both relationship and correspondence?  Keep a place between body and language?  Become a social surface?  This is the tension.  This is the model.